Fezz Audio Titania MK2 EN

INDEX ESPAÑOL
Fezz Audio Titania MK2 · Report V3.2.0 · Oct 2026
by [Meta + ChatGPT + DeepSeek + Claude + Mistral] + maty @nauscopio

Fezz Audio Titania MK2, 60 W push-pull valve amplifier

Technical report based on the official manuals for the integrated amplifier and its power stage, photographic analysis of the interior, reading of the board silkscreen, comparison with independent reviews, and explanation of the standardised method for measuring the damping factor. Manufactured in Poland by Fezz Audio with Toroidy toroidal transformers. EISA 2026-2027 award for Best Valve Amplifier.

Primary sources: manuals TITANIA-MK2-Integrated-ENG-230-V and Fezz-EVO-NEW-TITANIA-PA-MK2-ENG-110-230-V, Fezz Audio page, reviews from Stereolife, Audiodrom, HiFiNews and The Audio Tailor, OCR analysis of internal photographs, specialist distributor spec sheets and cross-verification of valve compatibility. Reference system: 35-year-old 3-way loudspeaker Crossover A v2.4 MR-A-01, 6 Ω nominal / 4.9 Ω minimum / 89 dB/W/m (calculation hypothesis, not measured), listening at 3 m.

Traffic light — 15-second read

What it is. A 60 W-per-channel push-pull valve integrated amplifier. It uses four KT88 valves in the power stage and three 12AX7s (ECC83) in the small-signal stage. It is manufactured in Poland, with Toroidy toroidal transformers. It won the EISA 2026-2027 award for Best Valve Amplifier. It accepts valves from the KT family: KT88 as standard and 6550 as a direct equivalent are confirmed; KT90, KT120 and KT150 are reported by distributors, pending confirmation from the manufacturer. It does not accept EL34, KT77, 6CA7, 6L6 or 5881.

The central unknown. Both official manuals declare a damping factor greater than 40. But there is no independent measurement of the MK2 that verifies this. The only available measurement in the family is from the power stage of the previous generation —Titania EVO Gen 1 (MK1), 45 W— and it yielded a value of 1. That figure is from another product and cannot be extrapolated to the MK2 without measuring it. See §5.2 and §5.3.

What is not known. The output impedance in ohms, the internal circuit topology, the core type of each transformer, and the exact electronic implementation of the Auto Bias.

GETTING STARTED — WITH NO PRIOR KNOWLEDGE (Basic guide G1–G2)

GETTING STARTED — WITH NO PRIOR KNOWLEDGE

A-level physics —logarithms, electrical power, impedance and series circuits— is enough to understand everything that follows. This guide covers two blocks: how a push-pull amplifier works and how reliable each data point is; and how power, impedance and damping relate. Technical details begin in Part I.

Basic guide

The idea that organises the whole report. The Fezz Audio Titania MK2 comes with two complete official manuals. In them the manufacturer declares very specific figures: 60 W per channel, distortion below 0.05 %, a damping factor greater than 40. Most of those figures are verifiable against the device. But there is one that is not, with the available documentation: the damping factor. The manuals declare it, but no independent party has measured it on the MK2. The only thing that exists is a measurement of the power stage of the previous generation, which gave a very different value. That is the open question of the report.

  • G1 · how a push-pull works and how reliable each data point is.
  • G2 · power, impedance and damping.

G1. How a push-pull works and how reliable each data point is

An amplifier converts the weak signal from the player —on the order of 1 V— into a signal with enough voltage and current to drive a speaker. Valve amplifiers have two blocks. The preamp increases voltage. The power stage supplies current. Everything is powered by a supply that produces a high DC voltage called B+.

Player → Preamp → Power stage → Output transformer → Speaker
 (≈ 1 V)   (voltage)  (current)    (impedance matching)  (4–8 Ω)
                              ↑
                 Power supply (B+)

In the power stage there are two configurations. The first, the most common, is push-pull: two valves share the work and their currents combine in the output transformer. Advantages: DC components cancel in the transformer core (it does not saturate) and many even harmonics cancel each other (less distortion). The second, less frequent, is single-ended: a single valve per channel, with high linearity but low efficiency. The Acronos RS-1 in Appendix D is single-ended.

The output transformer matches impedances. If the turns ratio between primary and secondary is n, the impedance is multiplied by n²: with n = 27, an 8 Ω speaker is presented to the valves as 27² · 8 ≈ 5832 Ω.

The Titania MK2 uses four KT88s in push-pull class AB. Class AB means each valve conducts for slightly more than half a cycle. There are two variants. In AB1, the usual one in domestic audio, the grid never goes positive with respect to the cathode. In AB2, the grid can go positive at peaks, and that requires a driver stage capable of supplying current to the grid. AB1 is the most likely variant in the MK2 —the driver stage with 12AX7s can hardly supply the grid current that AB2 demands— but the manual does not specify it. PROBABLE

How reliable each data point is

In a technical report, statements of very different natures coexist. Some come from the manufacturer's official manual. Others we see in a photograph. Others result from applying a formula. And others are just reasonable intuitions. Mixing levels would be a mistake: the reader would end up giving the same credibility to a confirmed data point as to a suspicion. That is why every statement in the report carries an evidence label. The side aside (visible on desktop) shows the summary legend; Appendix A develops it.

LabelWhat it meansExample in this report
CONFIRMEDData published in the manufacturer's official manual.60 W per channel, THD < 0.05 %, 21.5 kg.
OBSERVEDVisible in the photographs or on the silkscreen.Titania rev. 2/2025, the 220 µF/350 V capacitors.
MEASURED-EXTMeasurement published by an independent laboratory. May be of another product.DF ≈ 1 measured by HiFiNews on the power stage Titania EVO Gen 1 (MK1), 45 W. Not the MK2.
PROBABLEReasonable physical inference, pending verification.Location of the Auto Bias servo on the control sub-board.
CALCULATEDComes from a formula based on known data.Estimated Zout < 0.2 Ω if the declared DF > 40 were correct.
REPORTED-EXTData from a reliable third party, without own measurement or manufacturer confirmation.Compatibility with KT90/KT120/KT150 according to distributors.
NDCannot be stated with current evidence.Internal circuit topology, Zout in ohms of the MK2.

G2. Power, impedance and damping

How many watts are needed. You must start with the speaker and the listening distance. The decibel (dB) is logarithmic: +10 dB multiplies power by 10, +3 dB by 2 (because 100.3 ≈ 1.995). The calculation follows four steps.

  1. Sensitivity. The reference speaker produces 89 dB with 1 W at 1 m. HYPOTHESIS of calculation from the Crossover A report, not measured.
  2. Distance. The level falls according to 20·log₁₀(d). At 3 m: 89 − 9.54 = 79.46 dB.
  3. Power. To reach a level L: P = 10^((L − 79.46)/10). For 100 dB: 113 W with a single speaker.
  4. Stereo. With two speakers and a decorrelated signal, +3 dB. Each channel contributes half.

With 60 W per channel, the Titania MK2 covers domestic listening with ample margin and 100 dB peaks with a tight margin. For 105 dB it falls short. The manual recommends using the 8 Ω tap with 6 Ω nominal speakers, not the 4 Ω tap.

Impedance and damping factor. A "6 Ω" speaker does not always measure 6 Ω: its impedance changes with frequency. The reference speaker drops to 4.9 Ω around 1.4 kHz and rises at the bass peak. An amplifier that behaves as a voltage source delivers more current when impedance drops. The output impedance (Zout) is a series resistance with the speaker. The damping factor summarises it: DF = Zload / Zout. The higher, the better the control.

The attenuation imposed by Zout follows the voltage divider formula, with 20·log₁₀ because we work with voltages:

Attenuation (dB) = 20 · log₁₀ ( Z_speaker / (Z_speaker + Z_out) )

With Zout = 0.2 Ω over 6 Ω: −0.29 dB. The variation between 4.9 Ω and 16 Ω is ≈ 0.24 dB, inaudible. The qualitative conclusion —excellent control, inaudible alteration— holds if the DF is indeed greater than 40.

Damping factorEstimated Zout (8 Ω)Practical meaning
> 40< 0.2 ΩExcellent control. The response follows the signal, not the speaker curve.
10 – 400.2 – 0.8 ΩVery good control. Spectral variation between 0.3 and 0.9 dB.
3 – 100.8 – 2.7 ΩModerate control. Audible coloration possible.
< 3> 2.7 ΩLow control. The response is clearly coloured.
The pending data point. Both manuals declare a DF greater than 40, but there is no independent measurement of the MK2 that verifies it. The only available measurement in the family is from the power stage of the Titania EVO Gen 1 (MK1), 45 W, with DF ≈ 1. That measurement is from another product and cannot be transferred to the MK2 without measuring it. The full development is in §5.2.

Quick exercises

  1. A speaker has 92 dB/W/m. What level does it produce with 1 W at 2 m?
  2. With the 89 dB/W/m speaker, what power is needed for a 100 dB peak at 3 m with a single speaker?
  3. If the Titania MK2 has DF > 40 into 8 Ω, what is its maximum Zout? And if the DF were 1, what would it be?
  4. With Zout = 0.2 Ω, what attenuation does the signal suffer over a 4.9 Ω speaker?
See solutions
  1. 92 − 20·log₁₀(2) = 92 − 6.02 ≈ 86 dB.
  2. 10^((100 − 79.46)/10) ≈ 113 W.
  3. DF > 40 → Zout < 0.2 Ω. DF = 1 → Zout ≈ 8 Ω.
  4. 20·log₁₀(4.9 / 5.1) ≈ −0.35 dB.

PART I — FEZZ AUDIO TITANIA MK2 REPORT

This report brings together Fezz Audio's two official manuals (the MK2 integrated and the PA MK2 power stage), the OCR of the interior, the EISA 2026-2027 award, the history of Toroidy with discrepancies between sources, power valve compatibility, the record of the declared damping factor and its pending independent verification, and the standardised method for measuring DF. Appendix D includes the reference case of the Acronos RS-1 SE KT150 as a methodological comparison.

0. Executive summary

Fezz Audio Titania MK2. Image: Fezz Audio. Click to enlarge.

20-second read

What it is. A 60 W-per-channel push-pull valve integrated amplifier, with four KT88s in the power stage and three 12AX7s (ECC83) in the small-signal stage. Manufactured in Poland by Fezz Audio, with Toroidy toroidal transformers. EISA 2026-2027 award for Best Valve Amplifier.

Valve family. KT88 (standard) and 6550 (direct equivalent) confirmed. KT90, KT120 and KT150 reported by distributors, pending manufacturer confirmation. Requires matched quartets. Details in Appendix B.

Pending verification. Both manuals declare DF > 40. No independent measurement of the MK2 exists. The only measurement in the family —power stage of the previous generation, Titania EVO Gen 1 (MK1), 45 W— yielded DF ≈ 1. The matter is developed in §5.2.

What is not known. Zout in ohms of the MK2, internal circuit topology, core type of each transformer, exact electronic implementation of the Auto Bias.

1. Method, evidence and limits

1.1 Approach and critical parameters

The reference listening system is the 35-year-old 3-way loudspeaker Crossover A v2.4 MR-A-01: 6 Ω nominal, 4.9 Ω minimum and 89 dB/W/m sensitivity. Listening is at 3 metres. The question guiding the report is simple: what does the Titania MK2 offer and how does it differ from other valve amplifiers?

Traceability note on the reference speaker's sensitivity. The 89 dB/W/m sensitivity is taken as a calculation hypothesis, not as a measured value. The Crossover A report explicitly declares it as a working hypothesis: its real sensitivity is ND (not determined) until the finished cabinet is measured. All SPL and required-power calculations in this report (§5.1) are conditional on that hypothesis.

The documentary advantage. The manufacturer publishes two complete manuals —the integrated and the power stage— and OCR analysis of the interior photographs has provided information that is not normally available: designer name, board revisions, visible components, fault LEDs, capacitor values. But there are no published independent measurements of the MK2's real performance at full power, and the only available measurement in the family —HiFiNews on the previous generation's power stage— corresponds to a different product.

The three critical parameters. If one had to choose only three data points to predict how the Titania MK2 will sound with a specific speaker, they would be: the output impedance (Zout), the real impedance curve of the cabinet and the frequency response with real load. None of the three is fully resolved, and the first has no independent measurement of the MK2.

1.2 Comparative master table

The following table summarises the most relevant parameters of the equipment with an indication of the level of evidence. Data from the official manual, OCR of the interior and board revisions have been incorporated.

ParameterFezz Audio Titania MK2
ConfigurationPush-pull AB CONFIRMED · AB1 PROBABLE
OriginPoland — Fezz Audio CONFIRMED
AwardEISA 2026-2027 Best Valve Amplifier CONFIRMED
DesignerJakub Korpacz M.Sc.Eng OBSERVED
Main board revisionTitania rev. 2/2025 OBSERVED
Control sub-boardUniversal Control System rev. 4/2023 OBSERVED
Standard power valves4× KT88 (2 per channel), JJ Electronic as standard CONFIRMED
Compatible KT familyKT88 and 6550 confirmed; KT90, KT120 and KT150 reported by distributors, pending manufacturer confirmation REPORTED-EXT — see Appendix B
Input/driver valves3× 12AX7 (ECC83) CONFIRMED
TransformersToroidal, by Toroidy CONFIRMED · core type ND
Nominal power60 W per channel CONFIRMED
Distortion (THD)< 0.05 % at 1 kHz at full power CONFIRMED
Frequency response16 Hz – 120 kHz (−3 dB) CONFIRMED
Damping factorDeclared > 40 in both MK2 manuals CONFIRMED (manufacturer). No independent measurement of the MK2 ND. Measurement of the power stage EVO Gen 1 (MK1), 45 W: DF ≈ 1 MEASURED-EXT, another product — see §5.2
Sensitivity0.7 V CONFIRMED
Input impedance50 kΩ CONFIRMED
Output impedance (Zout)Not published. Estimated < 0.2 Ω if the declared DF > 40 were correct; ≈ 8 Ω if the MK2 behaved like the EVO Gen 1 (MK1) ND
BiasAutomatic (Auto Bias) CONFIRMED
Valve protectionIndependent circuit for each KT88 with indicator LED CONFIRMED
Soft start2-min warm-up cycle with logo colour change CONFIRMED
Burn-in10 h preliminary; 40–60 h full; minimum 1 h per session CONFIRMED
Standby modeYes CONFIRMED
Inputs3× RCA + 1× Direct CONFIRMED
Outputs4 Ω / 8 Ω, Sub Out CONFIRMED
Recommended impedance6 Ω speakers → 8 Ω tap CONFIRMED (manual)
Optional modules (FEBS)2 slots: MM Phono, DAC, Bluetooth, XLR/RCA CONFIRMED
Remote controlYes, infrared (volume, source, standby) CONFIRMED
Voltage selector230 V / 115 V selectable CONFIRMED
Main fuse3.15 A type T CONFIRMED
Signal ground switchYes, on/off on rear panel CONFIRMED
Coupling capacitorsRed film capacitors; Wima MKP10 PROBABLE
Filter capacitors8× 220 µF / 350 V OBSERVED · brand ND
Internal trimmers4–5 blue Bourns OBSERVED · exact function ND
Weight21.5 kg integrated · 21 kg PA MK2 power stage CONFIRMED
Dimensions420 × 380 × 200 mm CONFIRMED (official manual). Distributors publish 240 mm height REPORTED-EXT; it is probable PROBABLE that this corresponds to the height with the valve cage installed, but it is not confirmed by the manufacturer.
Consumption170 W at rest (manual); 160 W according to official website CONFLICTING DATA
Price≈ €3,750 base; FEBS modules ≈ €299 each REPORTED-EXT — indicative as of 2026-10, varies by distributor and country

1.3 Evidence counter

It is worth distinguishing four situations that are sometimes confused under the generic label "not known": missing data (the manufacturer does not publish it, such as Zout in ohms), deduced data (inferred with uncertainty, such as compatibility with KT90/KT120/KT150), unknown data (there is no basis for inferring it, such as the exact internal topology) and data from another product (independent measurement of another device in the family, such as the DF of the EVO Gen 1 / MK1 power stage).

The master table in §1.2 has 37 rows. Some carry more than one label —"Transformers" carries CONFIRMED and ND; "Damping factor" carries CONFIRMED, ND and MEASURED-EXT—. The counter recounts the total number of labels present in those rows, not the number of rows.

LabelOccurrences in §1.2
CONFIRMED27
OBSERVED5
MEASURED-EXT1 (of another product: Titania EVO Gen 1 (MK1) power stage)
REPORTED-EXT3 (KT90/KT120/KT150 · dimensions with cage · price)
PROBABLE3 (Wima MKP10 · Dimensions · AB1)
ND5 (core, Zout, MK2 DF, capacitor brand, trimmer function)
Total labels44
CONFLICTING DATA1 separate row (Consumption)

The Titania MK2 is one of the best-documented devices in the series. The official manual provides most of the confirmed data. The OCR of the interior provides the observed data. The HiFiNews measurement is recorded as MEASURED-EXT but referred to another product (Titania EVO Gen 1 (MK1) power stage, 45 W), not the MK2. The real unknowns of the MK2 are reduced to Zout in ohms, the internal circuit topology, the core type of each transformer and the exact electronic implementation of the Auto Bias.

2. Identity and architecture

2.1 General view, silkscreen and designer

The Titania MK2 has a clean-lined chassis with a front panel that houses the power switch, input selector, volume control and IR receiver for the remote control. The toroidal transformers are housed in cylindrical cases inside the chassis. The device is available in several sheet-metal finishes.

Figure 1 — General view of the interior. At the top, the three toroidal transformers in their cylindrical cases: two output (left and centre-right) and one power (centre). Below, the main board with the silkscreen Titania rev. 2/2025 and Designed by Jakub Korpacz M.Sc.Eng. On the right of the image are the eight electrolytic filter capacitors; in the centre-bottom, the red film capacitors and the sockets labelled KT88. In the bottom right corner the sub-board Universal Control System rev. 4/2023 can be seen. Image: Fezz Audio. OBSERVED

Markings identified on the boards. The silkscreen of the main PCB reads «Titania rev. 2/2025», «Designed by Jakub Korpacz M.Sc.Eng», the reference TA6E-12 next to the upper terminal block and the label POWER AMPLIFIER ONLY near the right connector. Near the valve sockets the references KT88 and ECC83 appear repeatedly. In the bottom right corner an independent sub-board «Universal Control System rev. 4/2023» is also identified, also signed by the same designer, which houses the control logic.

General architecture

The Titania MK2 is a stereo push-pull class AB integrated amplifier. The power stage uses four KT88s, two per channel. The small-signal stage uses three 12AX7s (ECC83): two for the left and right channels, and a third that the manual explicitly designates as the "driver tube". The Toroidy toroidal transformers (one power and two output) are housed in cylindrical cases that also act as electromagnetic shielding.

The main signal PCB (rev. 2/2025) and the control sub-board (Universal Control System, rev. 4/2023) are connected by a ribbon cable. This physical separation between the signal path and the control logic is unusual in this segment and reinforces the modern vocation of the design.

Topology particularity. The manual describes the MK2 circuit as "completely new circuit topology" compared with the previous generation, the 45 W Titania EVO Gen 1 (MK1). It is a manufacturer's statement, not a schematic, but there is a verifiable data point that supports it: the HiFiNews review documents that the MK1 used two ECC83s as driver and inverter valves, while the MK2 uses three 12AX7s. This change in the number and function of the small-signal valves is consistent with a redesign of the signal path, although the exact magnitude of the change cannot be quantified without the schematics of both versions.

2.2 Power and driver valves

The power stage uses four KT88s —beam tetrode, 42 W maximum plate dissipation, 800 V maximum voltage—, two per channel, with an individual fault indicator LED on each socket. The small-signal stage uses three 12AX7s (ECC83) —high-gain double triode (μ ≈ 100), low transconductance, widely used in audio—, also with a driver function for the output stage. Using the three 12AX7s in the same positions simplifies maintenance: only one valve type is needed for the entire small-signal section.

Fezz Audio uses JJ Electronic KT88s as standard. It offers an upgrade set consisting of Electro Harmonix KT88 and PSVane 12AX7-TII valves, sold together for about €200.

Manual requirement on matching. Both manuals specify verbatim: "It's necessary to use vacuum tubes that have previously been pre-selected and paired up in quads or pairs". That is, even with Auto Bias, Fezz Audio recommends matched quartets. Auto Bias compensates for drift during use, but does not compensate for a poorly matched quartet at source. This is developed in Appendix B.

2.3 Titania MK2 block diagram

The following diagram summarises the signal chain, the power chain and the control subsystems of the Titania MK2 in a single stroke. The ND labels indicate unavailable parameters and the OBS labels indicate elements confirmed by OCR or by the manual. It is a functional architecture map, not a traced electrical schematic.

╔══ FEZZ AUDIO TITANIA MK2 · 60 W push-pull AB · Polish in-house design ══╗
║   Main board: Titania rev. 2/2025 · Designed by Jakub Korpacz M.Sc.Eng ║
║   EISA 2026-2027 award · Best Valve Amplifier                           ║

SIGNAL
  [RCA ×3 / Direct In] → [12AX7 ×2] → [12AX7 ×1] → [4× KT88 PP] → [Toroidal output transformer] → [4/8 Ω speaker]
   (obs: TO XLR prep)     (preamp)      (driver)     (2 per channel)     (Toroidy · parameters ND)
                          · 2 channels   · 1 shared    · Auto Bias          (obs: TA6E-12 as
                          · 1 shared       valve        · 4 individual        service label)
                            valve        · ECC83 (obs)   fault LEDs
                          · ECC83 (obs)                 · matched quartets
                            (obs)                         (manual)
                          CONFIRMED POWER VALVES: KT88 (standard) · 6550
                          REPORTED POWER VALVES: KT90 · KT120 · KT150
                          NON-COMPATIBLE POWER VALVES:
                            EL34 · KT77 · 6CA7 · 6L6 · 5881
                            (different family; the Silver Luna is the Fezz model for EL34)
                          MK1 → MK2 CONTRAST (HiFiNews):
                            MK1: 2× ECC83 drivers/inverters
                            MK2: 3× 12AX7 (2 preamp + 1 driver)

POWER SUPPLY
  [AC] → [230/115 V switch] → [Toroidy toroidal transformer] → [SS rect. ND] → [8× 220µF/350V] → [B+ ND]
        (manual · obs)                              (not valve)          (obs)                     brand ND
        ├→ [3.15 A T fuse · manual]
        ├→ [Auto Bias · logic on UCS rev. 4/2023 sub-board]
        ├→ [Individual protection per KT88 · dedicated LED per valve · manual]
        ├→ [2-min warm-up cycle · logo red→white · manual]
        └→ [Standby mode · manual]

CONTROL SUB-BOARD
  [Universal Control System · rev. 4/2023 · Fezz Audio]
        ├→ [Auto Bias servo · calibration via 4–5 Bourns trimmers (obs)]
        ├→ [Individual electronic protection management per valve]
        ├→ [FEBS module switching control]
        └→ [Start-up and warm-up cycle timing]

SERVICE AND ADJUSTMENTS
  [Signal ground switch on/off · rear panel · manual]
  [Test points TP2, TP3 · silkscreen · obs]
  [Service labels POWER AMPLIFIER ONLY, TO XLR · obs]

EXPANSION (modular · 2 FEBS slots)
  [Slot 1] → [MM Phono · DAC · Bluetooth · XLR/RCA]  (≈ €299 per module)
  [Slot 2] → [MM Phono · DAC · Bluetooth · XLR/RCA]

  [Global NFB: ND]                    · [Class: AB (AB1 probable; manual/review)]
  [Declared DF > 40 (both MK2 manuals) · NO INDEPENDENT MEASUREMENT OF THE MK2]
  [DF ≈ 1 measured on the previous generation power stage (EVO Gen 1 / MK1, 45 W) · another product]
  [THD < 0.05 % @ 1 kHz]              · [Response: 16 Hz – 120 kHz (−3 dB)]
  [60 W / channel]                    · [Mass: 21.5 kg]
  [Burn-in 10 h preliminary / 40–60 h full · manual]

Three observations from the diagram: Fezz Audio bets on vertical integration (three in-house toroidal transformers, with core type ND); the control architecture is physically separated from the signal path (Universal Control System rev. 4/2023 sub-board, with Auto Bias logic, per-valve protection and FEBS management); and the protection system is individual per valve, not global (each KT88 has its own fault LED).

The pure power stage version of the Titania —PA MK2, without preamp or FEBS, with 12 V trigger— is described in Appendix C.

3. Power supply

3.1 Toroidy toroidal transformers

The Titania MK2 power supply uses a toroidal transformer designed and manufactured by Toroidy, Fezz Audio's sister brand. The output transformers are also toroidal and the supplier is the same. Sources differ on the exact founding dates of Toroidy (HiFiNews: 1991; Stereolife: 1992) and on the debut of Fezz Audio as a brand (HiFiNews: 2000; Stereolife: Audio Video Show 2015). According to Stereolife Magazine, the design of the output transformers was carried out by Tomasz Lachowski, the founder's son. HiFiNews does not mention this detail.

Advantages of toroidal transformers. According to the manufacturer and the Audiodrom review, toroids have less than 10 % of the electromagnetic emission compared with EI-core transformers, making them quieter, and offer greater stability across the entire audio frequency range.
Methodological warning. The cylindrical external appearance of the cases does not by itself prove that the core is toroidal. The manufacturer describes the transformers as toroidal and the external shape is consistent, but visual confirmation of the core is ND.

3.2 Filter capacitors

The filtering capacity of the supply determines the level of ripple reaching the valves. The manual does not specify the brand, value or origin of the Titania MK2 filter capacitors.

Observed value. Analysis of the enlarged macro of the main board allows reading on the side of the eight large electrolytic capacitors: 220 µF / 350 V. The data that can be stated are:
  • 8× 220 µF / 350 V in total OBSERVED
  • Brand: ND (not legible in the available images)
  • Possible distribution: 4 capacitors per channel, each channel in 2S2P configuration would give 220 µF effective @ 700 V per channel. HYPOTHESIS — the actual connection is not verified.
Estimated ripple (conditional). Under the hypothesis of 220 µF effective per channel, at 100 Hz and 200 mA consumption per channel, the approximate ripple would be Vpp ≈ 0.2 / (100 · 220·10⁻⁶) ≈ 9.1 V. It is a conditional calculation: the effective current of the bank, its exact topology and the location of any regulation stage are not known. Verification of the actual connection is priority 4 in Appendix E.
Figure 2 — External diagonal view. The filter capacitor bank described in this section is housed in the main board, under the black top platform and between the toroidal transformers; it is not visible from outside. The visual reference for the 8× 220 µF / 350 V is in Figure 1. Image: Fezz Audio. OBSERVED

4. Control, bias and protection

4.1 Auto Bias

The Titania MK2 incorporates an automatic bias system (Auto Bias). Both manuals describe "automatic bias control" and add that it guarantees "maximum reliability and truly maintenance-free operation". The circuit continuously monitors the operating parameters of the valves and maintains the ideal bias without user intervention.

Auto Bias is not exclusive to the MK2. The HiFiNews review of the previous generation power stage (Titania EVO Gen 1 / MK1) already mentions automatic bias. What is specific to the MK2, according to its manual, is the combination of Auto Bias with the individual protection system for each KT88 with a dedicated LED, and the physical separation of the control logic on the Universal Control System sub-board. That combination —not Auto Bias itself— is what distinguishes the MK2's control architecture.
What Auto Bias implies. The user does not need to adjust anything in daily use: the amplifier keeps the valves at their optimum operating point continuously. Changing valves does not require manually recalibrating the bias. This is what makes experimentation with the KT family viable within the limits described in Appendix B.
Important nuance: "zero maintenance" is not absolute. Both manuals qualify the expression "truly maintenance-free operation". They require pre-selected and matched valves; they document a replacement procedure; they include a troubleshooting guide; and each KT88 has its individual fault LED. That is, Auto Bias refers to automatic bias, not to the total absence of maintenance.
Trimmers observed on the main board. The photographs show between 4 and 5 blue Bourns 3296-type trimmers on the main board. The upper ones bear the KT88 label, confirming their association with the power stage. They are manual calibration points reserved for the manufacturer or service technician. The exact function of each trimmer is ND.

4.2 Protection and control architecture

The Titania MK2 brings together in its control subsystem three elements that are unusual in its category: individual protection for each power valve, FEBS modularity and control logic physically separated on the Universal Control System sub-board.

Individual protection per valve

The integrated amplifier's manual describes in section 7 ("Power tubes protection circuit"): "Every power tube has its own circuit protection system with separate light indicator". Each of the four KT88s has its own protection circuit and its own fault indicator LED. The documented procedure is:

  1. If the red LED lights up, switch off the amplifier.
  2. Check that the valves are correctly installed.
  3. Switch on again.
  4. If the red LED remains lit, the valve is defective and must be replaced.

The PA MK2 manual is more explicit about the technology of its version: it speaks of a "safety auto fuse" (resettable safety fuse) for each power valve. When a valve fails, the auto-fuse trips and the corresponding red LED lights up. The procedure is to switch off for 2 minutes, switch on again and, if it persists, replace the valve. Both systems fulfil the same objective with different philosophies. Which acts first or more effectively is not documented ND.

Evolution from the previous generation. The public documentation of the MK2 and the HiFiNews review of the MK1 do not describe with the same level of detail the output valve protection system in both models. The MK2 explicitly documents an individual circuit for each KT88 with a dedicated LED; no equivalent system with an individual LED per valve is recorded in the public documentation consulted for the MK1. It is recorded as PROBABLE evolution within the control axis, without quantifying it.

FEBS expansion modules

The Titania MK2 has two FEBS expansion slots (Fezz Extension Board System). The available modules are MM Phono, DAC, Bluetooth and XLR/RCA, at an indicative price of ≈ €299 each REPORTED-EXT. The PA MK2 power stage, by contrast, has no FEBS slots: its only expansion is XLR or RCA selection via a rear switch.

Control sub-board — Universal Control System

Photographic analysis of the interior has revealed the existence of an independent sub-board in the bottom right corner of the chassis, identified as "Fezz — Universal Control System — rev. 4/2023", also designed by Jakub Korpacz M.Sc.Eng. It is connected to the main board by a ribbon cable. It is the natural candidate to house the Auto Bias logic, the management of the electronic protection system, the switching of the FEBS modules and the warm-up cycle. The "Universal" reference suggests that it is used in several models of the Fezz range. The specific architecture of this sub-board (which ICs it carries, how it implements the bias servo, how it detects anomalies) remains ND.

5. Power, SPL and damping

5.1 Power and SPL

Traceability note on the reference speaker's sensitivity. The calculations in this section start from an 89 dB/W/m sensitivity for the reference speaker. That value is a calculation hypothesis from the Crossover A report, not a measured sensitivity: the Crossover A report explicitly declares the real system sensitivity as ND until the finished cabinet is measured. All results in the table and in the calculator are conditional on that hypothesis.

With 60 W per channel, the Titania MK2 offers an ample margin for domestic listening and a tight margin for high-intensity peaks. For the reference system (89 dB/W/m, listening at 3 m), the distance loss is about 9.5 dB.

ScenarioTarget peak SPL @3 mW/ch required (+3 dB)Margin over 60 W
Domestic95 dB18.0 W+5.2 dB
Elevated100 dB56.8 W+0.2 dB
Monitoring105 dB179.6 W−4.8 dB
Reading the margin. For domestic listening the Titania MK2 is more than enough (+5.2 dB over the 95 dB target). At elevated listening the 60 W cover with a very tight margin (+0.2 dB over 100 dB). Only at monitoring level (105 dB) does it fall clearly short (−4.8 dB).

SPL and required power calculator

Formulas: SPL_1W@d = sens − 20·log10(d) and P = 10^((target SPL − SPL_1W@d − factor)/10). Results per channel.

89.0 dB/W/m
3.0 m
95 dB
Enable JavaScript to see the calculator result.
Methodological note. The reference powers are declared nominal, not P@1 % THD. The reference speaker's sensitivity is a calculation hypothesis from the Crossover A report, not a measured value.

5.2 Damping factor (data without independent verification)

This section is the heart of the report. Everything else rests on it.

What the manufacturer declares. Fezz's two official manuals —the MK2 integrated and the PA MK2 power stage— declare a damping factor greater than 40. If that figure were correct, the output impedance would be below 0.2 Ω, which is an excellent value for a valve amplifier. The amplifier would control the speaker like a voltage source.

What has been measured. There is no independent measurement of the MK2 that allows that figure to be verified. What does exist is a measurement of the power stage of the previous generation. The HiFiNews review of the Titania EVO Gen 1 (MK1) power stage —45 W, January 2025— concluded that the 8 Ω and 4 Ω taps offer a source impedance approximately equal to the nominal impedance of each tap, that is, a DF ≈ 1. HiFiNews summarises it by pointing out that, under those conditions, the real response of the device is governed by the reactive impedance of the connected speaker, and recommends always using the 4 Ω tap, regardless of the speaker.

Why that measurement cannot be extrapolated. That measurement is from another product: the power stage, not the integrated, and from the previous generation, not the MK2. Fezz describes the MK2 topology as "completely new circuit topology" compared with the previous generation. The family clue is relevant —same manufacturer, same transformer supplier, same design philosophy— but it does not allow predicting the MK2's behaviour without measuring it.

The attenuation that Zout imposes on the signal is calculated with the voltage divider:

Attenuation (dB) = 20 · log₁₀ ( Z_speaker / (Z_speaker + Z_out) )

The following table shows the correctly calculated attenuation at 4.9 Ω and at 8 Ω for different hypothetical Zout values, including the two scenarios in play (DF > 40 and DF = 1):

Hypothetical ZoutDF @8 ΩAttenuation @4.9 ΩAttenuation @8 Ω
0.1 Ω80−0.18 dB−0.11 dB
0.2 Ω40−0.35 dB−0.21 dB
0.5 Ω16−0.84 dB−0.53 dB
1.0 Ω8−1.61 dB−1.02 dB
8.0 Ω1−8.41 dB−6.02 dB
What is at stake. If the MK2's real DF is greater than 40, the amplifier controls the speaker like a good solid-state amplifier and its response is practically flat with any reasonable speaker. If the real DF were approximately 1, as measured in the previous generation power stage, the amplifier would audibly colour the response over real speakers. In that case the choice of tap (4 Ω vs 8 Ω) and the type of speaker would become decisive. It is the most important data point still to be resolved.
Why the family clue is not a prediction. The MK2 manual explicitly declares a completely new circuit topology compared with the previous generation. That change could affect Zout through several different routes: feedback loop, output transformer design, impedance matching. Extrapolating the EVO Gen 1 (MK1) power stage measurement to the MK2 is reasonable as a clue to be verified, but not as a conclusion. The only way to close the data point is to measure a physical MK2 unit.
Integrated manual recommendation. For 6 Ω nominal speakers, Fezz Audio recommends using the 8 Ω tap on the MK2. HiFiNews, in its measurement of the previous generation power stage, recommended using the 4 Ω tap regardless of the speaker. The two recommendations start from different devices and cannot be compared directly.

What has been measured and what has not — the method

Warning about the nature of the problem. The MK2's DF is not independently verified. What exists is a manufacturer's declaration (greater than 40) and an independent measurement of the previous generation power stage (DF ≈ 1, Titania EVO Gen 1 (MK1)). Any additional conclusion about the MK2's behaviour with real speakers is speculative until a unit is measured. It is priority number one and admits no shortcuts.
Note on the measurement method. To obtain the data reliably, the Zout measurement on a MK2 unit must be made:
  • With a purely resistive load of 8 Ω and 4 Ω, with sufficient power not to saturate.
  • At several frequencies: at least 20 Hz, 100 Hz, 1 kHz, 10 kHz and 20 kHz.
  • With an oscilloscope or True RMS multimeter to measure the voltage drop accurately.
  • Noting the signal level of each measurement, because Zout can vary with excursion.
This protocol, applied to a physical unit, would close the report's main unknown. The full table of pending measurements is in Appendix E.

5.3 How DF is measured: standardised method

There is no single IEC or AES standard that defines "how to measure the damping factor". What exists is a de facto standard procedure for measuring output impedance (Zout), of which DF is a simple derivative. That general procedure is indeed covered in standards such as IEC 60268-3, which describes how to measure electrical parameters of amplifiers by the voltage-drop method. What the standard does not fix are the specific conditions —reference frequency, bandwidth, type of load— under which DF must be expressed as a catalogue figure.

5.3.1 The voltage-drop method

The method is known as the voltage-drop method or resistance insertion method (On-Off). It is the one used by laboratories such as HiFiNews and audio analysers such as Audio Precision. It consists of four steps:

  1. Measurement without load (Vnl). A signal of known frequency is injected —usually 1 kHz— and the output voltage is measured without connecting a speaker. It is advisable to use a minimum safety load (for example 100 Ω) instead of a pure open circuit.
  2. Measurement with load (Vl). A purely resistive load (typically 8 Ω or 4 Ω) is connected and the output voltage is measured again.
  3. Calculation of Zout. Zout = Rload · (Vnl − Vl) / Vl.
  4. Calculation of DF. DF = Rload / Zout.
Two-load variant — the one used by some manufacturers. There is an alternative method that avoids measuring in open circuit: the two-load measurement. It is measured twice with two different resistive loads (typically 8 Ω and 4 Ω) and Zout is solved algebraically:
Zout = R₁ · R₂ · (V₁ − V₂) / (R₁ · V₂ − R₂ · V₁)
With R₁ = 8 Ω, R₂ = 4 Ω, V₁ the voltage measured over 8 Ω and V₂ the voltage measured over 4 Ω. Then DF = 8 / Zout.

Why it is preferable. The output transformer is inductive: measuring without load can generate overvoltages that damage the transformer or the valves. The two-load measurement is safer and is the variant used, for example, by JC Valvular (manufacturer of the Acronos RS-1).
Never measure in open circuit. The output transformer is inductive and without load the overvoltages can destroy valves or the transformer itself. If the On-Off method is used, always do it with a minimum load connected (for example 100 Ω) instead of an open circuit.

5.3.2 Why conditions are not standardised

Although the method is standard, the exact conditions are not. That is where discrepancies between catalogue figures arise: the signal frequency (usually measured at 1 kHz to give the "official" figure, but Zout varies with frequency), the type of load (pure resistive load is standardised, which does not resemble the complex impedance of a real speaker) and the bandwidth (some manufacturers measure over a wide range, others only at 1 kHz).

Why this matters in the Fezz case. The de facto "standard" in serious technical journalism is to measure Zout over a range of frequencies (20 Hz – 20 kHz) with resistive load. This is what the HiFiNews laboratory did with the Titania EVO Gen 1 (MK1) power stage, obtaining an output impedance of 7.4–8.0 Ω on the 8 Ω tap, corresponding to a DF ≈ 1. The MK2 manual, by contrast, only declares "greater than 40" without specifying frequency, load or bandwidth. The two figures do not necessarily measure the same thing, and they also correspond to different devices.
Testimony from JC Valvular. REPORTED-EXT The designer of JC Valvular —manufacturer of the Acronos RS-1— has explained, in the context of that device's report, that in his case the damping factor is set as an objective during the design of the output transformer —based on a dozen factors: internal impedance of the valves, stage configuration, transformation ratio, winding resistances, global and local feedback, leakage inductance, magnetising inductance, parasitic capacitances, wiring, frequency and load—, and that the figure accompanying the commercial product is a verified average at a specific point: 1 kHz with fixed resistive loads. The testimony refers to another device, not the Titania MK2, and is cited here because it illustrates a widespread pattern in the sector: the catalogue figure describes behaviour at a very specific point, not necessarily the overall behaviour of the amplifier with real speakers.
Useful analogy. Imagine you measure a car's speed downhill on the best stretch of a motorway: you get 200 km/h. Now measure the average speed over a complete journey with curves, climbs and descents: you get 80 km/h. Both data points are true, but they describe different things. The same can happen with DF: a catalogue figure obtained under very specific conditions may not describe the amplifier's behaviour with a real speaker across the entire audible band. Which of the two cases applies to the MK2 is, today, ND.

The methodological parallel with other valve amplifiers in the same field is developed in Appendix D — Reference case: Acronos RS-1 SE KT150.

6. Operation, burn-in and safety

The manual describes the switch-on cycle precisely: first switch on the signal source, then the amplifier; turn the volume to minimum and switch on the Titania MK2. The device enters a 2-minute warm-up cycle. After 2 minutes, the Fezz logo on the front changes from red to white. Verify that the source is playing and gradually raise the volume. The switch-off sequence is the reverse. The PA MK2 follows the same procedure, with the exception that the volume is controlled by the external preamp.

Both manuals also specify the burn-in: about 10 hours of preliminary warm-up and between 40 and 60 hours of full burn-in, with minimum sessions of 1 hour to avoid short sessions during the initial period. The manuals justify it by "the presence of residual polarization of dielectric elements and due to a necessary stabilization of working parameters of the vacuum tubes".

The integrated amplifier's rear panel documents three service elements that are unusual in its category: 230 V / 115 V voltage selector, 3.15 A type T main fuse and signal ground on/off switch (to eliminate ground loops when several devices are integrated). The PA MK2 adds a 12 V trigger to automatically switch other system devices on and off. The manuals' safety warnings: do not switch on without valves or without speakers connected; do not open the cover (risk of high voltage even when disconnected); keep at least 10 cm of ventilation; replace fuses only with the original specification.

Figure 3 — Complete rear panel. It visually confirms the three service elements documented in the manual: the 230/115 V voltage selector and the 3.15 A T main fuse integrated in the IEC C14 block, the Signal GND on/off switch in the centre-right, and the two FEBS slots (EXT 1 and EXT 2) between the speaker terminal blocks. Image: Fezz Audio. OBSERVED

7. Assessment by axes: signal and control

This report assesses the Titania MK2 on two axes. Axis A (signal modernity) measures the degree to which the amplifier incorporates contemporary technical solutions for treating the musical signal. Axis B (control modernity) measures how it manages its own operation: monitoring, protections, maintenance and connectivity.

AxisElementFezz Titania MK2Assessment
AInput/driver stage3× 12AX7 (ECC83) CONFIRMEDClassic, proven solution
ACoupling capacitorsRed film capacitors; Wima MKP10 PROBABLEHigh-quality polypropylene
AOutput transformersToroidy toroidal CONFIRMEDLow emission, high stability
ATopologyPush-pull AB (AB1 probable), redesigned (rev. 2/2025) CONFIRMEDRedesigned signal path
APower valves4× KT88 standard · KT family compatible CONFIRMEDRobust and flexible beam tetrode
ARectificationSolid state (not valve) PROBABLEModern solution
BBiasAutomatic (Auto Bias) with internal calibration points CONFIRMEDLow maintenance for the user
BValve protection4 independent circuits with LED per KT88 CONFIRMEDSuperior granularity
BValve compatibilityKT88, 6550 confirmed; KT90, KT120, KT150 reported REPORTED-EXTSonic flexibility with caveats
BControl sub-boardUniversal Control System rev. 4/2023 OBSERVEDPhysical logic/signal separation
BSoft start2-min warm-up cycle with logo colour change CONFIRMEDModern
BStandby modeYes CONFIRMEDModern
BRemote controlInfrared: volume, source, standby CONFIRMEDModern
BExpansion modules2 FEBS slots (Phono, DAC, BT, XLR/RCA) CONFIRMEDModularity uncommon in valve integrateds
BGround switchSignal ground on/off on rear panel CONFIRMEDUnusual function
BVoltage selector230 V / 115 V CONFIRMEDStandard in the international market
B12 V triggerOnly on the PA MK2 power stage (not on the integrated) CONFIRMEDIntegration in automated systems
BDocumentationComplete official manual + identifying silkscreen OBSERVEDVery good
BDistribution networkEstablished distributorsGood support
Verdict on the two axes. Axis A — medium-high modernity. The Titania MK2 combines a classic topology (push-pull AB with 12AX7s) with high-quality components and transformers. The choice of toroidal transformers is a clearly differentiating point. The use of quality film capacitors and the separation of control logic on an independent sub-board indicate a commitment to structural modernity. The weak point remains the lack of independent verification of the MK2's DF, which affects the interpretation of the entire signal chain in its final section. Axis B — excellent. The Titania MK2 offers a level of control and automation far superior to most valve amplifiers in its category. Auto Bias, individual protection per valve with dedicated LED and compatibility with the KT family are its most differentiating features. The PA MK2 power stage adds a 12 V trigger, while the integrated adds FEBS modularity.
Necessary nuance. The expression "the most modern in its category" or "unique" should not be used without a systematic comparison with equivalent products and verifiable measurements.

8. Closing

8.1 Balance

What we know.

  • The device is officially documented: both manufacturer manuals publish all essential specifications.
  • EISA 2026-2027 award for Best Valve Amplifier.
  • The OCR of the interior provides traceability: designer (Jakub Korpacz M.Sc.Eng), board revisions and filter capacitor values (8× 220 µF / 350 V).
  • Excellent control architecture: Auto Bias, individual protection per KT88, FEBS modularity, remote control, standby and ground switch.
  • Compatible with the standard KT family (KT88, 6550 confirmed; KT90, KT120 and KT150 reported by distributors). Requires matched quartets. Not compatible with EL34, KT77, 6CA7, 6L6 or 5881 (for EL34 there is the Silver Luna).
  • Uses Toroidy toroidal transformers.
  • THD < 0.05 % at 1 kHz at full power: an excellent figure for a valve amplifier.
  • Its FEBS modularity is uncommon in valve integrated amplifiers of its category: it allows adding a DAC, phono, Bluetooth or XLR/RCA without changing equipment.
  • A sister power stage exists (PA MK2) with the same valve complement, same power and 12 V trigger, without preamp or FEBS.

What we do not know or is pending.

  • MK2 damping factor. Both manuals declare more than 40, but there is no independent measurement of the MK2. The only available measurement in the family is from the previous generation power stage (Titania EVO Gen 1 (MK1), DF ≈ 1). It is the most critical data point pending verification. See §5.2.
  • MK2 Zout in ohms. It depends on resolving the previous point: if the declared DF were correct, it would be below 0.2 Ω; if the MK2 behaved like the EVO Gen 1 (MK1) power stage, it would be approximately 8 Ω.
  • Internal circuit topology. Phase splitter, driver, KT88 driver, NFB topology.
  • Core type of each transformer.
  • Exact electronic implementation of Auto Bias.
  • Real behaviour of KT90/KT120/KT150 in the MK2. Distributors report them as compatible, but the manufacturer does not confirm it in writing.

8.2 Quick decision table

If your priority is…Guidance
Automation and low maintenanceTitania MK2 — Auto Bias and individual protection per valve
Easy diagnosis of valve faultsTitania MK2 — 4 individual LEDs per KT88
Sonic flexibility with the standard KT family (KT88, 6550)Titania MK2 — confirmed by manual
Experimenting with KT90/KT120/KT150Titania MK2 with caution — reported by distributors, requires manufacturer confirmation
Sound with EL34 / KT77Fezz Audio Silver Luna — not compatible with Titania MK2
Modularity and future connectivityTitania MK2 integrated — two FEBS slots
Integration in automated systemsTitania PA MK2 — 12 V trigger
Integration in complex systems (integrated)Titania MK2 — signal ground switch
International useBoth — 230/115 V selector
Speaker control with low ZoutPending verification of the MK2's real DF — if the declared DF is correct, good control; if the MK2 behaved like the EVO Gen 1 (MK1) power stage (DF ≈ 1), the choice of speaker becomes critical
Complete official documentationBoth — exhaustive manuals
Highest quality transformersBoth — Toroidy toroidal

8.3 What CANNOT be concluded from this report

This list serves to prevent reading more than what is there. With only manuals, photos and a measurement of the previous generation, none of the following can be stated:

  • That the MK2's real DF is greater than 40. There is no independent measurement of the MK2.
  • That the MK2's Zout is below 0.2 Ω. It is a conditional estimate.
  • That the MK2 behaves like the EVO Gen 1 (MK1) power stage (DF ≈ 1). The measurement is from another product, from another generation.
  • That Auto Bias eliminates all maintenance. The manuals require matched quartets and replacement procedures.
  • That changing from KT88 to KT120 or KT150 objectively improves the sound. Without controlled listening.
  • That KT90/KT120/KT150 are fully compatible. Reported by distributors, not confirmed by the manufacturer in writing.
  • That the transformer core type is toroidal. The external shape is cylindrical, but visual confirmation of the core is ND.
  • That the distortion curve of the MK2 at different powers is that of the THD < 0.05 % at 1 kHz at full power. That manual data point is specific; it does not describe behaviour at intermediate powers.
  • That the reference speaker's sensitivity is 89 dB/W/m. It is a calculation hypothesis from the Crossover A report, not a measurement.
  • That the MK2's global NFB is high, low or non-existent. It is not documented.
  • That the electronic implementation of Auto Bias is of a specific kind. The Universal Control System rev. 4/2023 sub-board is visible, but its internal architecture is ND.
General rule: the entire report is based on the two official manuals, the OCR of the interior and the HiFiNews review of the previous generation power stage. No statement about the MK2 should be read as a verified measurement of the product itself. The labels CONFIRMED, OBSERVED, CALCULATED and MEASURED-EXT describe different levels of evidence, but only MEASURED-EXT (with the explicit caveat of "another product") refers to a laboratory measurement, and none of them corresponds to an independent measurement of the MK2 that is the subject of this report.

APPENDICES

Supporting material. Appendix A explains how to interpret the evidence labels. Appendices B and C expand on compatible valves and the sister power stage. Appendix D develops the parallel case of the Acronos RS-1. Appendix E details the pending measurement protocol. Appendix F gathers the sources and credits.

APPENDIX A — HOW TO READ THE EVIDENCE LABELS

Appendix A — How to read the evidence labels

Each statement in the report carries an evidence label indicating its level of support. This appendix develops the summary legend from the side aside (visible on desktop) for the mobile and print versions, where the aside is hidden.

The eight labels, one by one

LabelWhat it meansWhat would be needed to upgrade it
CONFIRMEDData established by official manufacturer documentation (manual) or verified silkscreen.It is already at the highest level. It can only be degraded if a documentary contradiction appears.
OBSERVEDDirectly visible in photographs or on the board silkscreen.Confirm the interpretation with the manufacturer, or measure the component directly.
CALCULATEDMathematical result obtained by applying a formula to known data.Experimentally verify the result with an instrument.
PROBABLEReasonable physical inference, coherent with what is observed, but unverified.Direct measurement or documentary confirmation.
HYPOTHESISPossibility coherent with the available data, but not sufficiently supported.Additional evidence to turn it into PROBABLE or discard it.
REPORTED-EXTData provided by a reliable third party (distributor, specialist publication), without own measurement or manufacturer confirmation.Official manufacturer confirmation or independent measurement.
MEASURED-EXTMeasurement published by an independent laboratory, with identifiable conditions. May refer to another product.Measurement of the product under report under the same conditions.
NDNot determinable with current evidence.Direct measurement, manufacturer schematic or additional documentation.

How several labels combine in a single row

A single statement may carry several labels at once, because different parts of the sentence have different levels of evidence. The damping factor row in the master table of §1.2 reads:

"Declared > 40 in both MK2 manuals CONFIRMED (manufacturer). No independent measurement of the MK2 ND. The previous generation power stage (Titania EVO Gen 1 (MK1), 45 W) was measured by HiFiNews with DF ≈ 1 MEASURED-EXT, another product".

Each part of the sentence responds to a different source. A reader who reads all three parts with the same label will not understand the real state of the question. A reader who distinguishes the three levels will see clearly that the question remains open and will know what type of measurement would close the matter.

Golden rule. A greater quantity of weak evidence does not become strong evidence. Ten photographic observations are not equivalent to an official manual. Three forum comments are not equivalent to a laboratory measurement. When several sources of the same level agree, confidence rises; when sources of different levels disagree, the discrepancy is the most valuable data point in the report.
APPENDIX B — POWER VALVE COMPATIBILITY

Appendix B — Power valve compatibility

The Titania MK2 does not work only with KT88s. The manufacturer optimises the design for that model, but the amplifier accepts other valves from the same electrical family. This appendix gathers what is documented, what specialist distributors report and the practical conditions that the user must respect.

B.1 Compatible valves

ValveTypeStatus in the MK2Notes
KT88Beam tetrodeSTANDARDReference valve. JJ Electronic as standard; upgrade with Electro Harmonix KT88 + PSVane 12AX7-TII.
6550Beam tetrodeCOMPATIBLEAmerican cousin of the KT88. Very similar electrical characteristics. Requires matched quartets.
KT90Beam tetrodeREPORTED-EXTEvolution of the KT88 with higher dissipation. Auto Bias re-adjusts automatically. Heater consumption similar to KT88. Not confirmed by the manufacturer.
KT120Beam tetrodeREPORTED-EXTMore power. Heater consumption 1.7–1.95 A. Verify with the manufacturer.
KT150Beam tetrodeREPORTED-EXTMaximum power option. Heater consumption ∼2 A. Requires explicit confirmation from the manufacturer.

B.2 NON-compatible valves

ValveTypeStatus in the MK2Notes
EL34PentodeNOT COMPATIBLE PROBABLEDifferent electrical family. Lower power and plate voltage. The Fezz model for EL34 is the Silver Luna (2×35 W, 4× EL34).
KT77Beam tetrodeNOT COMPATIBLE PROBABLEDirect substitute for the EL34. Same limitations.
6CA7PentodeNOT COMPATIBLE PROBABLEAmerican equivalent of the EL34. Same limitations.
6L6 / 5881Beam tetrodeNOT COMPATIBLE PROBABLEDifferent electrical family (lower voltage and power than the KT88s). The MK2 manual does not mention them explicitly, but by electrical family they are not compatible.
Why are EL34, KT77, 6CA7, 6L6 and 5881 not compatible? Although they share the octal socket, the electrical differences are insurmountable:
  • Plate voltage: EL34/KT77 and 6L6/5881 handle much lower voltages than the KT88s. The MK2 circuit is designed for KT88 voltages.
  • Dissipation: EL34 25 W; KT77 32 W; 6L6 30 W; KT88 42 W. The MK2 operating point is calibrated for KT88.
  • Auto Bias: its adjustment range is designed for the KT88 family. It cannot compensate for the curve differences of an EL34 or a 6L6.
  • Consequence: attempting to use any of these valves in the MK2 can cause unstable operation, damage to the valves or the output transformer, and is not covered by the warranty.
The Silver Luna: Fezz's alternative for EL34. If you are looking for the EL34 sound, Fezz Audio offers the Silver Luna, a 2×35 W push-pull integrated with 4× EL34 and 2× ECC83, designed specifically for that valve family.

B.3 The role of Auto Bias

The Titania MK2's Auto Bias system is what makes changing valves in the KT family viable without manual intervention: when replacing the quartet, the circuit automatically readjusts the bias point. This does not exempt compliance with the matching requirement that the manual demands, but it does eliminate the need to manually recalibrate the bias after each change.

What Auto Bias does when changing a valve:
  • Detects the new quiescent current of each valve.
  • Adjusts the negative grid voltage to return it to the optimum operating point.
  • Corrects drift during use (valve ageing).
What Auto Bias cannot compensate: a poorly matched quartet at source, a defective valve, or a valve from a different family (EL34, KT77, 6CA7, 6L6, 5881).

B.4 Practical conditions for valve changes

ConditionWhy it matters
Matched quartetsExplicit manual requirement. Without prior matching, Auto Bias may compensate poorly and some valve could operate outside its safe point.
Verify heater consumptionKT88 and 6550 consume 1.6 A; KT120 can reach 1.95 A; KT150 approximately 2 A. Four of these valves plus the three 12AX7s (≈ 0.3 A each) imply a total consumption of around 7.3 A with KT88 versus 8.9 A with KT150 (+22 %). It is advisable to confirm with the manufacturer that the transformer has margin.
Confirm with Fezz Audio or the distributorFor KT120 and KT150, it is advisable to ensure in writing that the power transformer and the rest of the circuit operate within their safety margins.
Preamp valves: 12AX7 / ECC83For the small-signal section, the manual requires replacement with the same type or direct equivalent.
Burn-in after the changeThe manual recommends 40–60 h burn-in for complete sound stabilisation.
Change of sonic "flavour". Experimentation with the KT family is a common practice in the valve world. Users report subjective differences between the different valves: KT88 with more "classic warmth", KT120 with more control and presence in the bass, KT150 with more dynamic headroom. These differences are subjective and are not supported by published instrumental measurements.
Important warning. Although Auto Bias facilitates the change, any replacement must be made:
  1. With previously matched quartets.
  2. After confirming with Fezz Audio or the authorised distributor the specific electrical compatibility.
  3. Verifying that the total heater consumption does not exceed the transformer's capacity.
  4. Respecting the manual's safety procedures: disconnect from the mains before touching valves, wait for them to cool, do not open the cover.
APPENDIX C — THE SISTER POWER STAGE: TITANIA PA MK2

Appendix C — The sister power stage: Titania PA MK2

Fezz Audio also markets a version of the Titania as a pure power stage, without an integrated preamp. It is called the Titania Power Amplifier (PA) MK2 and shares most of the electrical architecture with the integrated, but not all of it. It is the same MK2 generation of 60 W as the integrated; it must not be confused with the Titania EVO Gen 1 (MK1) 45 W power stage, which is the previous generation.

C.1 Differences with respect to the integrated

FeatureTitania MK2 integratedTitania PA MK2 stage
Inputs3× RCA + 1× Direct1× RCA + 1× XLR (switchable)
Volume controlYes, integrated in the chassisNo; controlled by the external preamp
FEBS modules2 slotsNo
12 V triggerNoYes, input/output
Weight21.5 kg21 kg
Valves4× KT88 + 3× 12AX74× KT88 + 3× 12AX7
Power60 W60 W
THD< 0.05 % at 1 kHz full power< 0.05 % at 1 kHz full power
Bandwidth16 Hz – 120 kHz16 Hz – 120 kHz
Declared DF> 40> 40
Zin50 kΩ50 kΩ
Sensitivity0.7 V0.7 V
Consumption170 W / 270 W170 W / 270 W
230/115 V switchYesYes
Signal ground switchYesYes (indicated as "GND audio loop switch")
Warm-up2 min, logo red→white2 min anode voltage delay

C.2 Why it matters for this report

The PA MK2 power stage is part of the same MK2 generation of 60 W as the integrated. The fact that both manuals declare the same DF greater than 40 indicates that it is a coherent specification within the MK2 family, not a one-off figure from a single document. However, there is still no independent measurement of the MK2 —integrated or stage— that verifies that value. The only independent measurement available in the family is that of the Titania EVO Gen 1 (MK1) 45 W power stage, carried out by HiFiNews in January 2025, which gave DF ≈ 1. It is not possible to speak of a direct contradiction between the manufacturer and the measurement, because they refer to different generations of the product, and the measurement is only of the power stage. What exists is an unverified manufacturer declaration and a family precedent that advises caution.

C.3 Protection system: interesting difference

Both products protect each valve independently, but with different technologies: the integrated documents an electronic protection circuit, while the stage documents individual resettable auto-fuses. Both manuals record the same number of LEDs (four), one for each KT88. Which of the two technologies acts first or more effectively is not documented ND.

APPENDIX D — REFERENCE CASE: ACRONOS RS-1 SE KT150

Appendix D — Reference case: Acronos RS-1 SE KT150

The Fezz Titania case is not unique in the valve audio landscape. A Spanish product in the same field, the Acronos RS-1, is a good example of how the declared DF figure can be subject to the same caution. The full RS-1 report, with NFB modelling, the class A ceiling and the manufacturer's testimony, is published on Nauscopio.

D.1 What the Acronos RS-1 is

The Acronos RS-1 is a single-ended (SE) KT150 valve amplifier, with a single valve per channel. It belongs to a different topological family from the Fezz (which is push-pull). Its architecture is that of the pure SET, with the advantages and disadvantages that this entails: high intrinsic linearity, absence of crossover distortion, but low efficiency and, typically, high Zout.

D.2 Empirical precedents in SE KT150

Commercial amplifiers with KT150 in single-ended tend to have high Zout. Two documented precedents, one with independent measurement and another with a figure declared by the manufacturer:

ModelPowerGlobal NFBReported DF
Icon Audio ST30SE28 W ULLow-feedback design≈ 6 (Hi-Fi World) · DF ≈ 7–17 depending on mode, in HiFiNews measurements
Dared Saturn Signature25 W−39 dB global≈ 6 (declared) — internally inconsistent: with −39 dB of NFB and an open-loop Zout of 5–6 Ω, the DF should be around 130, not 6. One of the two data points does not mean what it appears to.
Conclusion from the precedents. Both devices operate at low DF values, but the Icon Audio ST30SE case illustrates something important: different publications give different figures for the same device (DF ≈ 6 in Hi-Fi World; DF between 7 and 17 in HiFiNews' own laboratory, depending on triode or ultralinear operating mode). That is, the DF figure is not a constant of the device: it depends on who measures, with what method and in what mode. With two devices and figures that vary according to conditions, one cannot speak of an "empirical ceiling" of the topology. What can be stated is that the documented precedents are far below the figure declared in the MK2. Reaching a DF on the order of 50 in a single-ended KT150 topology would require an active Zout reduction mechanism that is not documented in either case.

D.3 The figure published by Et Sona and its traceability

The figure that circulates for the Acronos RS-1 —DF ≈ 50 and THD 0.01 % @ 18 W— comes from the Et Sona review, not from an official JC Valvular spec sheet. This has an important consequence for the analysis: it is not recorded that the manufacturer publishes them in its official spec sheet.

What this means methodologically. Unlike the Fezz case, where the DF declaration comes from two official manufacturer manuals, in the RS-1 case the figure does not appear in an official spec sheet: Et Sona publishes it. It is not possible to distinguish, with the available documentation, whether Et Sona measured the unit or reproduced figures provided by the manufacturer. The only measurement condition that is known, thanks to the JC Valvular testimony recorded in the RS-1 report, is that its manufacturer usually expresses DF as an average at 1 kHz with fixed resistive loads. That provides guidance on the method, but does not allow the specific figure of the unit measured by Et Sona to be verified.

D.4 What can and cannot be concluded

StatementStatus
The RS-1 is an SE KT150 with one valve per channelOBSERVED
Documented SETs with KT150 have low DF, between 6 and 17 depending on mode and publicationMEASURED-EXT (one) + REPORTED-EXT (the other)
Et Sona publishes DF ≈ 50 for the RS-1REPORTED-EXT
Et Sona's measurement methodology is knownND
The RS-1 has deep-loop global NFBND
Methodological recommendation. As with the Fezz, the only way to close the DF question in the RS-1 is to replicate the voltage-drop method with resistive load and in the audible band on a physical unit. As long as that measurement does not exist, the Et Sona figure must be read with the same caution as the Fezz manufacturer's: it is cited, contextualised, and marked as pending verification.

D.5 Parallel between the two cases

Both the Fezz Titania MK2 and the Acronos RS-1 are European products in the same field, with pure valve architectures. In both cases, the declared DF figure is not supported by an independent measurement of the product itself:

AspectFezz Titania MK2Acronos RS-1
TopologyPush-pull KT88Single-ended KT150
Declared DF> 40 (official MK2 manual)≈ 50 (Et Sona, not manufacturer)
Source of the figureManufacturer (two MK2 manuals)External review
Independent measurement of the current productNone recorded for the MK2. Yes for the EVO Gen 1 (MK1) power stage (DF ≈ 1, HiFiNews).No published independent measurement
Final reflection. Both cases are parallel in one important respect: the DF figure declared by the manufacturer or by a third party is not contrasted with an independent measurement of the product itself. In the Fezz there is also a measurement of the previous generation power stage that serves as a clue, but the manufacturer declares a new topology and that clue cannot be transferred without measuring. In the Acronos RS-1 the figure comes from a single review without documented measurement conditions. In both cases, the correct attitude is to record the data point with its level of evidence (declared, reported, measured on another product) and not elevate it to a conclusion until a direct measurement is available.
APPENDIX E — PENDING MEASUREMENT PROTOCOL

Appendix E — Pending measurement protocol

To close the unknowns of this report —and, above all, to verify the MK2's declared damping factor— a series of measurements on a physical unit would be needed. These are the five priority ones:

PriorityMeasurementPurpose
1Zout by the resistive divider method, on each tap (4 Ω and 8 Ω), at several frequencies (20 Hz – 20 kHz)Verify the MK2's declared DF (> 40): check whether the MK2 behaves as a voltage source (high DF) or whether it follows the pattern of the previous generation power stage (DF ≈ 1).
2Square-wave step response of the OPT over an 8 Ω loadReveals primary inductance, leakage inductance and high-band behaviour.
3Distortion curve versus powerEstablishes P@1 % THD, a data point that no manual publishes.
4Verification of the connection of the 8 capacitors (distribution per channel and exact topology)Confirms the real effective capacity of the filter bank per channel.
5Consultation with the manufacturer about DF, transformer margins and full KT120/KT150 compatibilityConfirm in writing the DF figure, the admissible heater consumption and the compatibility of the valves reported by distributors.

Desirable complementary measurements: macro photo of the Universal Control System rev. 4/2023 sub-board (to identify the ICs of the Auto Bias and protection system); supply ripple with oscilloscope; and direct comparison between Titania MK2 integrated and PA MK2 stage on the same speaker.

APPENDIX F — REFERENCES AND CREDITS

Appendix F — References and credits

Primary sources

  • Fezz Audio · official manual for the MK2 integrated amplifier. TITANIA-MK2-Integrated-ENG-230-V. Official PDF document in English, 8 pages. Authoritative source for all documented specifications and functions of the integrated. (accessed 2026-10)
  • Fezz Audio · official manual for the PA MK2 power stage. Fezz-EVO-NEW-TITANIA-PA-MK2-ENG-110-230-V. Official PDF document in English, 8 pages. Authoritative source for the PA MK2 specifications and the resettable auto-fuse protection system. (accessed 2026-10)
  • Fezz Audio · official website. fezzaudio.com. (accessed 2026-10)
  • EISA 2026-2027 award. EISA (Expert Imaging and Sound Association). eisa-awards.org. Official quote: «The Titania MK2 significantly advances Fezz's KT88-based integrated tube amplifier, delivering up to 60Wpc of power to partner confidently with a wider range of loudspeakers.» (accessed 2026-10)
  • HiFiNews · review of the Titania EVO Gen 1 (MK1) power stage, January 2025. hifinews.com — Fezz Audio Sagita Prestige/Titania pre/power amp. The unit measured by HiFiNews is the power stage of the Titania EVO Gen 1 (MK1) —45 W, previous generation of the family—, not the Titania MK2 that is the subject of this report. The review documents an output impedance of 7.4–8.0 Ω on the 8 Ω tap, over the 20 Hz – 20 kHz range, corresponding to a DF ≈ 1. It also documents that the MK1 used two ECC83s as drivers/inverters and that it already had auto-bias. The MK2 report cites the review as a family precedent, with the methodological caution explained in §5.3.2. (accessed 2026-10)
  • History of Toroidy and Fezz Audio, with discrepancies between sources. HiFiNews places the founding of Toroidy in 1991 and the entry of Fezz Audio into the market in 2000. Stereolife Magazine, article "From transformers to tube amplifiers: the story of Fezz Audio" (April 2026), places it "probably" in 1992 and dates the debut of Fezz as a brand at the Audio Video Show in 2015. The data on the re-adaptation of Biazet machinery, the role of Tomasz Lachowski in the design of the output transformers and the anecdotal origin of the name "Fezz" come only from Stereolife Magazine; HiFiNews does not mention them. (accessed 2026-10)
  • Fezz Audio Titania MK2 · photographic analysis. High-resolution photographs of the interior. OCR source: Titania rev. 2/2025, Designed by Jakub Korpacz M.Sc.Eng, Universal Control System rev. 4/2023, TA6E-12, KT88, ECC83, POWER AMPLIFIER ONLY, TO XLR, TP2, TP3. Capacitor reading source: 8× 220 µF / 350 V. (accessed 2026-10)
  • Specialist distributor spec sheets. Commercial documentation confirming compatibility with the KT family (6550, KT90, KT120, KT150) and the Silver Luna model for EL34. Also the source of the 240 mm height figure, complementary to the 200 mm in the official manual. (accessed 2026-10)

Complementary sources

  • Titania MK2 reviews. Stereolife, Audiodrom, The Audio Tailor, Hifi-voice. The Audiodrom review rates the sound at 98 % and highlights "ultra-high-endová kultivovanost".
  • Valve datasheets. JJ Electronic (KT88, 12AX7), Genalex/New Sensor (KT88 Gold Lion), Electro Harmonix (KT88, KT90, KT120, KT150), PSVane (12AX7).
  • Historic reference design. Mullard Ltd. Circuits for Audio Amplifiers (Booklet TP413).
  • Reference system. Crossover A v2.4 MR-A-01, 6 Ω nominal / 4.9 Ω minimum / 89 dB/W/m (calculation hypothesis, not measured).
  • Cross-reference comparative report. Acronos P52 vs Cayin Jazz 90 (nauscopio, V3.3, October 2026).
  • DF measurement methodology. IEC 60268-3 "Sound system equipment - Part 3: Amplifiers" describes the general procedure for measuring electrical parameters, including output impedance by the voltage-drop method. However, the standard does not fix specific conditions (frequency, bandwidth, type of load) under which DF must be expressed as a catalogue figure, which explains the disparity of conditions between manufacturers and laboratories. HiFiNews, Audio Precision (instrument manufacturer) and others apply the method with different conditions.
  • Acronos RS-1 reference case. The full RS-1 report is published at nauscopio.blogspot.com/p/acronos-rs-1-single-ended-kt150-en.html. It includes loop-gain modelling, the class A ceiling calculation, the manufacturer's testimony on DF calculation, the list of the 12 factors that determine DF and a 16-measurement verification protocol. The DF ≈ 50 and THD 0.01 % @ 18 W figure comes from the Et Sona review, not from an official manufacturer spec sheet. The empirical precedents of the Icon Audio ST30SE and Dared Saturn Signature are at low DF values. For the Icon Audio ST30SE, Hi-Fi World published DF ≈ 6 and HiFiNews' own laboratory gave different figures (DF between 7 and 17 depending on mode), which illustrates that even two measurements of the same device can differ according to conditions.
  • JC Valvular testimony on DF calculation. The designer of JC Valvular —manufacturer of the Acronos RS-1— has explained, in the context of the RS-1 report, that in his case DF is set as an objective in the output transformer design based on 12 factors, and that the commercial figure is a verified average at 1 kHz with fixed resistive loads. (2026-10)
  • Two-load method for measuring Zout. Variant of the voltage-drop method used by some manufacturers to avoid measuring in open circuit, given the inductive nature of the output transformer. Formula: Zout = R₁·R₂·(V₁−V₂) / (R₁·V₂ − R₂·V₁).
Methodological note. The report combines the two official manufacturer manuals (primary source), photographic analysis and OCR, specialist distributor spec sheets, independent reviews with published measurements and explicit arithmetic calculation. The eight labels of the system —CONFIRMED, OBSERVED, CALCULATED, PROBABLE, HYPOTHESIS, ND, REPORTED-EXT and MEASURED-EXT— describe the level of evidence of each statement, as detailed in Appendix A. When two reliable sources disagree, the conflict is recorded without artificially resolving it. The only row marked as "conflicting data" in the master table is that of consumption (170 W according to manual versus 160 W according to official website). The dimensions (200 mm according to manual / 240 mm according to distributors) are recorded as PROBABLE. The MEASURED-EXT label is also used for independent measurements of other products in the family or of other comparable devices, explicitly indicating which product they refer to. On the reference speaker's sensitivity: the 89 dB/W/m that appears in §1.1, §5.1 and this section is a calculation hypothesis from the Crossover A report, not a measured value. The Crossover A report declares the real system sensitivity as ND until the finished cabinet is measured. All SPL and required-power calculations in this report are conditional on that hypothesis.
Fezz Audio Titania MK2 · Report V3.2.0 · Working document subject to experimental validation · Oct 2026 · nauscopio